What's in Bloom Now

Friday, December 2, 2016

Animism


"The squirrel misses the turkey," the Patient Spouse joked. He's not a sentimental man, largely, and I knew he only said it to break the usual mealtime silence. But I saw right away that he was right. The squirrel continued to lean to the right, where the turkey had been, but with no turkey there to support its little furry shoulder or meet its sidelong glance, the lean had turned to more of a list and the sidelong glance looked—yes, it most certainly was—no longer wistful, but sad.
     The turkey and the squirrel arrived on our dining table independently: the turkey, from his place in the dark safety of the glass china closet where he awaits his annual Thanksgiving appearance; the squirrel, from a box of fall decorations kept under the window seat. The turkey dates back to my childhood. He is a wax candle, probably from the Ben Franklin store circa 1970. His wick is long gone and his possibly-even-applied-in-America paint plumage is somewhat eroded after years of state appearances on the family table, in the dollhouse and now, every November of my adulthood, on my own dining table. The squirrel arrived from IKEA a few years back, a charming little fellow with embroidered eyes and a winsome tilt of the head, clutching a tiny mushroom in his paws. When I set them together on the table this past November, the turkey proudly stood his ground as ever, but he looked less darkly arrogant and more as if he were pleased with his new role: propping up the simpleminded but adorable squirrel, whose little mushroom was held like a bouquet about to be offered. It was clear this December-May relationship was made to last. Then, one day while changing the tablecloth, I saw the turkey had lost a big chip out of his breast feathers. Not wanting to further endanger this, one of my favorite family inheritances, I returned him prematurely to the china closet. The squirrel stood alone. That is, it did until I became so sad at seeing it, lonesome and leaning, supper after supper, that I returned it to the box under the window seat.
     Do I need therapy? Am I externalizing my own failings and lonlinesses? I'm sure the DSM would say so. The PS might concur. At best, its a childish thing to worry over two pieces of wax, polyester and paint as if they had feelings, as if I've never outgrown the ability to invest those things that represent life with sentience. But my elder daughter is more on the mark, I think, when she recognizes my reaction for what it is: the sensitive and slippery slope of animism.
     Take these carrots. Clearly, they love each other. It was for that reason that they became the last of my most recent digging to be separated. I kept grabbing them out of the bag in the fridge, seeing their shapes entwined,, and thinking nah-they just can't be separated. Some may see theirs as a sex act, but I see it as the ultimate embrace. Once, I even tried untwining them, but it became clear I would have to dismember them to extricate one from its soulmate. The best I could do was wait until the PS and I were sharing a lunch, make these devoted Daucus into sticks, and share them with my own soulmate. In our mutual affection, theirs lives on.
    See? She called it a slippery slope, the Eldest did. A life lived in the animist religion is a complicated thing. It can be consuming, even. Yet, it rarely seems unhealthy. Rather, it is another way of preserving wonder at the world, where the lines between magic and reality are blurred. 
    Say two vegetables are entwined, and you are harvesting them to sell. This happens all the time. The ag agent will likely explain it away as bad thinning practice, or stony soil, or maybe a nematode that has made your beets entwine, your parsnips embrace, your carrots consort. These experts would never consider animist explanations. They disregard the soul that animates all things. They don't believe in Gaia, the older name for Mother Earth.
     For a long time, good gardeners shared this secret: if you dug a lady slipper orchid in the wild and transplanted it to your yard, it would die no matter how you nurtured it. There was a relationship between the plant and its native soil—microorganisms that kept it alive and helped it thrive in a co-dependent system labelled "mutuality." A few such setups existed: the nitrogen-fixing bacteria living on pea-family plants, the algae and fungus living together as the visible "Plant" we call lichen; we learned about such things in biology class, and if the ladyslipper trick was a trade secret, it was backed by this scientific pigeonhole.
    It is becoming increasingly evident that such mutual arrangements exist everywhere throughout the plant kingdom, on such an intricate and complex scale that it boggles the mind. Seemingly unrelated species enable each others' survival. Stranger still, trees foster their nearby offspring. Weak plants cry out to be helped and their chemical signals allow pests to close in on them in their  undefended state. Outside your door, the air is filled with shouts and murmurs you can't hear, with messages sent across great stretches of time and between species. The old are teaching the young. The weak are sacrificing themselves for the strong. Plants, as it turns out, are not only more animate than the modern mind has allowed, they appear to be far better at getting along with one another than our single species can even manage to do with others of its own kind. How can you not respect that?
    So it's impossible for me to thin the garden and leave the little transplants gasping in the row beside their living comrades. It's hard to separate the two seedlings and plant them a row apart (or worse, choose one to live and one to execute). "Pick me!" the one bean seems to cry out, while its neighbor scolds, "I was too young: you should have waited until tomorrow." "Don't drop me here!" says the seed lost along the side of the row where it will grow up and be trampled in the path. "I tried so hard" says the volunteer poppy growing in the crack right in the middle of the walkway.
     Is it all in my head? I try to tell myself so. I don't want to turn into a white-haired old coot wrinkled as a raisin who talks to ants. The white hair and the wrinkles are starting to look inevitable.  I know the ants don't speak my language, I really do. But as the quiet of gardening alone sets in, things do speak: seedlings and bugs and stones and fruit. The old coot in the garden is a stereotype because this does happen to people. Are we coots crazy? Or are we just listening? Every time science discovers fresh evidence of the animate "inanimate" life buzzing below our human radar, I feel equal parts wonder and vindication. Meanwhile, you'll have to pardon me if I break off here. The begonia is calling me from the window, and it's so, so thirsty. Bloom where you are planted.

For the Brown Thumb on Your List...

The simplest things are the hardest for me. Consider Christmas cactus (Schlumbergera). Now when I worked at a garden center back in the days when such places still grew and tended things (rather than getting it all in by the truckload from someplace in the South) we had a greenhouse full of past-season Christmas cacti every spring and summer. They grew leathery and reddish, shrivelling in the heat and drought in their weedy resting place under the wire benches where marketable stock awaited purchase; any water these almost-dead specimens got was what trickled down from above. Every fall, we pulled them out, gave them a soak, and watched them green up and burst forth in magnificent magenta and red blooms. They were bought and taken away, or else they survived to spend another year in exile and neglect while they put on more growth...and an even better show the following year. "Neglect," I say. Yet my attempts to imitate this on a household level always end in sudden botanical death. After a summer spent outside in the droughty shade between some arborvitae and the house, I bring in my schlumbergia to watch it wake from schlumber, bud, and die. I've killed two, and am raising a third that I'm pretty certain is doomed. Sure, Christmas cacti are a dime a dozen at the nearest grocery store floral department this time of year. But for someone who makes their reputation growing figs and peaches, jewelled corn and iris from seed, this inability to keep alive the most undemanding, bomb-proof of plants has always been a bit of an embarrassment. The un-fussy Christmas cactus is not the only thing: gift amaryllis never rebloom in my care; sometimes they don't even unfurl those fat buds they arrive with. Paperwhites and hyacinths grown in those lovely glass forcing vases are doomed in my hands.
     But wait: maybe I'm not alone. A fellow gardener confesses she is lethal to aloes. Another routinely executes rabbit's foot ferns unless they are rescued by covetous friends (ahem). Everything—EVERYTHING—has its limits, after all: too much love, not enough; more fertilizer than necessary, or not enough; sudden death by cats or slow death by gas leak. Unfortunately, a lot of these maladies are hard to diagnose until it's too late. I'm not sure, for exampe, whether my shallow-rooted cacti died from too much water or too little; obvously, the protocols for doctoring it through one diagnosis or the other conflict.
    Anyways, my cactus never did bloom on time. The first year when I brought it home from the store it was a Christmas cactus. Then it was a Haunukkah cactus. Then, a Thanksgiving cactus. This year, it set bud on Halloween, opened two flowers on All Souls Day, then went to meet its maker. But I love Cristmas Cactus! The contrast between those thick, dull green leaves that are almost, I daresay, ugly out of season and the jewelled blossoms that appear from nowhere at just the right moment (okay—or not quite the right moment, but nonetheless a happy surprise)... The Christmas cactus is a botanical enigma: easy to grow yet difficult to grow well; common as dirt, yet somehow declasse in a way that allows me to appreciate them for their pure, classic, pedestrian splendor. They're a grandma kind of plant, like gladioli, african violets, zinnias and hoyas: plant breeders and style-makers have largely let them be in such a way that these old-fashioned plants have kept the naive charm they posessed back when plants weren't shipped cross-country in semis but were grown by the white-haired nurseryman at the local glasshouse or passed along via "slips" from a generous neighbor.
     My associates will point out that I turn everything into a pean to simpler times. Nevver mind. Really, all I wanted here was to explain that I've come up with a triumphant solution to my embarrassing case of schlumbergia rot. In fact, the first limp limb to droop, redden and drop to the floor beneath the hanging planter provided a template for this, the truly heirloom Christmas cactus:
 Materials: Paper, wire, wool, cotton, china
Available in two colors and varying pots, signed by the artist. $35.
  It isn't often I make something totally original, and even less frequenly do I make something so utterly like I wanted it to be that I am loathe to part with it.
Okay—so a real, live CC is available right now at Price Chopper for $6.
Is it organic?
Can you keep it alive?
Is it environmentally sound?
Is it signed by the artist?
Can it be passed along as an heirloom?
 Tomorrow, I embark on a two-day holiday marketplace at the nearby botanical garden, where I have been assigned space in the food tent and am supposed to hawk only my edible items.
But these, and the two others I made, simply have to make an appearance.
 Just for fun, here are a few more pictures, including one of my first Hellebores (the Christmas rose, a hardy perennial that doesn't bloom until February here in New England, and resents life in a vase.) Already, I have vague notions of tissuey crocus and tiny nodding snowdrops to herald February. Looks like I need a studio as much as I did a greenhouse... 
(Meantime, I'm happy to schedule a trunk show by appointment: georgiadouillet@gmail.com.
Bloom where you are pasted.